![]() control room also has red fabric-covered panels at the ceiling to back wall intersections and along the rear wall. The side walls have the same red fabric to cover more middle and higher frequency absorbing panels. Low – frequency absorbing panels are positioned above the console and are covered with red fabric material. natural materials such as stone, wood, and natural fabrics should be a requirement in any recording studio construction.įabric covers sound-absorbing panels in Baoli Records in Haiti. The use of natural materials is always welcome and encouraged with music studio construction. Stone has a natural appearance and balances both aesthetically and acoustically with fabric and wood. Along with these natural harder surface materials, we have fabric used in abundance. In Strange Weather studios in New York City, we see wood interlaced with stone to produce a very natural balance between the two mediums. In Electrical Audio Studios, we see a brick wall that appears to be in the live room. Rock or brick is another popular construction medium that we see. listening rooms and playback environments. Vertical and horizontally placed diffusers are alive and well in recording studio construction. Today, it appears that only vertically positioned diffusers are used or a two-dimensional diffuser that provides both vertical and horizontal diffusion in one panel. We used to see both horizontal and vertical quadratic diffusion position across the rear walls. The Lucky Post Audio Suite in Dallas, Texas has a rear wall that is designed with diffusion across the total wall surface. Rear wall diffusion appears to be another common studio design, especially with the smaller studios. It has a more balanced impact on the middle and high frequencies where music and voice Wood produces a more natural warmer sound and also has visual benefits, especially in a larger, live, room. Even the custom made diffusers were made out of wood. Once again, we see low-frequency absorbers in the ceiling and back wall area. The floor, front wall, and both side walls are covered with pine. The 77 Recording studio in Evansville, Indiana has knotty pine throughout the control room. The following video demonstrates the recording studio design principles we follow. This positioning reduces the sound pressure from floor to ceiling The floor to ceiling dimension is the smallest of the three so we must treat the floor or ceiling or both if energy and frequency demand it. In smaller rooms that have larger low-frequency issues due to their size, it is common to see the low-frequency absorption positioned on the ceiling. Each surface of the absorbers is curved and is arranged to cover the whole ceiling. John has enjoyed collaborating with many artists in his studio, and he is most enthusiastic about the artistic and technical aspects of music production in the 21st century.MG Sound in Vienna, Austria has wood-slatted bass absorbers throughout the ceiling and sidewalls. ![]() He occasionally provides consultation to other studios regarding their studio design and operation. John has experience as the studio engineer on hundreds of albums for a variety of artists and music genres. He has transcribed and arranged charts for many bands and small orchestras ranging in size from 4 to 22 musicians. John also created and produced over 60 music tracks for WHTM -the ABC affiliate in Harrisburg. Sound Design Music Studio was established here in Lancaster, Pa in 1991.Įarly in his career, John wrote and produced jingles for many local businesses including AAA Travel Service, McCann School of Business, Indian Echos Caverns, Smuckers Roofing and Siding, Chambersburg Mall, Orrstown Bank, Hershey Bears Hockey, Strasburg Railroad, Harrisburg Symphony Orchestra, and many more. He is a 1990 graduate of the Grove School of Music in Los Angeles and also holds a degree in Electronic Technology from Eastern Maine Tech College. John LeVasseur has over 30 years’ experience in the recording and music business. ![]()
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